FOR IMMEDIATE RELEASE FUSEFX NOMINATED FOR TWO VISUAL EFFECTS AWARDS IN TODAY’S 71st EMMY® AWARDS NOMINATIONS – The Orville and Deadwood The Movie Recognized for Stellar VFX (LOS ANGELES— July…
A second revival for Veronica Mars is now officially a reality. Veronica Mars is back to series July 26 on Hulu! Murder and a serial bomber are on the loose and…
Emmy Magazine spotlighted FuseFX in their “In The Mix” section. The article discusses the exploding growth in content that has led to VFX expansion. The article chronicles Dave Altenau (CEO/Founder),…
In the Summer 2019 Edition of VFX Voice, a spread was included on FuseFX’s work on The Orville’s epic 8-minute space battle. The article details the scope of work, that…
FuseFX was the primary visual effects studio for “Chambers,” handling 475+ shots for the 10-episode first season, spanning four months, with all work completed by the studio’s New York office. This first…
Our very own Co-Founder/CDO Tim Jacobsen was recently interviewed by Fueled Death Cast on an array of topics, including his personal story in the industry, finding his way and ultimately…
How do you produce an 8-minute space battle (arguably the longest continuous space battle in TV history) that rivals the likes of Star Wars on episodic television? First, you need…
True Detective returns after a 4-year hiatus. FuseFX had the privilege of shooting hundreds of driving comps utilizing their proprietary FuseFX driving rig. Approximately 400 shots were done for the…
The Hollywood Foreign Press honors FuseFX Clients: The Kominsky Method, VICE and The Assassination of Gianni Versace.
FuseFX proudly announces our 2018 Emmy nomination for Outstanding Special Visual Effects in a Supporting Role for our work on Mr. Robot. Our New York team collaborated closely with Mr….
